Not too long ago, self-published authors were collectively admonished about the need to invest in their work. Hiring quality editors, proofreaders, cover designers, and formatters before attempting to sell a book was the constant mantra of industry experts. While some hapless writers continued to slap their Word docs up on Amazon and hope to snare a few readers, authors who took their careers seriously made the proper investments.
Around that time, a number of startups emerged, all billing themselves as eBay-like marketplaces for author services. Many of those startups have shuttered their virtual doors, while a few that produced meaningful connections between authors and publishing service providers have managed to thrive. But that hasn’t stopped newcomers to the game from trying to continually undercut the concept of paying for quality work.
“When I first began finding clients through online freelance postings, the self-publishing industry was a different place,” stated one editor who did not wished to be named. “Authors who had done their homework not only knew how much editing might cost, but they also knew enough to have sent their work to their writing group for critiques or even beta readers before declaring it ‘ready’ for editing. Now, I find new job postings almost daily requesting full edits of an 80,000-word book for $100.”
That’s one of the double-edged swords of self-publishing, of course. An indie author without a solid backlist and sales to go with it may not be able to invest thousands of dollars for a full suite of services, but that doesn’t change the income needs of those who are expected to do the work.
“I love spending time with other local authors, but conversations about finding editors and cover designers have become heartbreaking,” said Andrea Patten, award-winning author of The Inner Critic Advantage: Making Peace With the Noise in Your Head. “Poor quality isn’t good for any of us. If we don’t support…